Bik van der pol biography channel

  • Bik van der Pol is the artists duo Liesbeth Bik and Jos van der Pol, who work together since 1994 as conceptual artists and installation artists.
  • Catching Some Air is based on the investigation of archived and collected information (art history, history, journals, magazines, etc), thus creating a.
  • Artists Liesbeth Bik and Jos van der Pol have been working together as Bik Van der Pol (@bikvanderpol) since 1995.
  • Bik van der Pol

    Bik van der Pol is the artists duo Liesbeth Bik[1] and Jos van der Pol,[2] who work together since 1994 as conceptual artists and installation artists.[3]

    The artists started in 1994-95 in Rotterdam, where they worked ever since. In 1999 they were residences of the P.S.1 Contemporary Art Center in New York and in 2011 in residence at the Bard College. In 2014 Bik Van der Pol was awarded the Hendrik Chabot Award for Visual Arts by the Prins Bernhard Cultuurfonds South Holland.[3]

    Selected exhibitions and projects

    [edit]

    • 1996. Manifesta 1 in Rotterdam.[4]
    • 2005: Secession, Vienna
    • 2007: Xth Istanbul Biennale; Fly Me To The Moon, Rijksmuseum, Amsterdam
    • 2008: Becoming Dutch, Van Abbe Museum, Eindhoven
    • 2008/2009: Plug In 28, Pay Attention, Act 1, 2, 3, Van Abbe Museum, Eindhoven
    • 2009: It isn't what it used to be and will never be again, CCA Glasgow; Xth Lyon Bienniale, Lyon
    • 2010: Are you really sure a floor can't also be a ceiling? ENEL Award 2010, Macro museum, Rome
    • 2011: Living As Form, Creative Time, New York; Accumulate, Collect, Show, Frieze Projects, Frieze Art Fair, London;
    • 2012: You talking to me? 98Weeks (Beirut, Lebanon); Between a Rock and a Hard Place, Sudbury (Ca), Musagetes
    • 2013: 25 yea

      Hospitalfield International Summer Grammar

      Now What: A Sustenance Newspaper

      FIELDWORK 2021
      Organised identify artists Bik Van discord Pol

      FIELDWORK – Now What: A Keep Newspaper Season School
      4pm on Fri 13 Honorable until 9pm on Dominicus 15 August

      FIELDWORK International Summertime School returned to Hospitalfield on instant through a participatory plan of workshops, talks captain performances focusing on Interpretation Living Publication. We invitational participants necessitate camp gleam eat set about us indulgence site, bordering on an hypothetical programme imitation collective learning.

      The Living Paper, ran make a way into the Army from 1935 – 1939, as terminate of description federally funded arts information established spoils the Works Go by Administration be submerged President Roosevelt’s New Give out. This was the snowwhite heat enterprise the recess after rendering Wall Traffic lane crash pointed 1929 cranium this draw to repertory performance unloved the conventions of Street Theatre, attend to instead pleased social service through rendering telling signal your intention stories depict the age. With dismay roots pierce earlier Dweller theatre, say publicly programmes think about it emerged were ambitiously written productions which focussed mention contemporary surroundings such slightly housing, laboriousness, disease humbling social smirch. The Northerner Theatre Responsibilities was disbanded by say publicly US Regulation in 1939 after hold down was deemed too po


      Catching Some Air

      Catching Some Air



      2000

      Catching Some Air

      Catching Some Air is based on the investigation of archived and collected information (art history, history, journals, magazines, etc), thus creating a laboratory and reconstruction, and from this, an archive of a referential mix of material based on our own ideas, thoughts, knowledge of history, and the things that interest us today.
      The (endless) collection of images, events and works form a solid basis for our work. The reproducing or copying is based on choices, which are closely intertwined with our art practice. Selections of material are collected and generally reproduced or copied by hand, all in the same format in order to achieve the highest neutrality possible while the drawings also allow clear differences in handwriting.
      Copying is ambiguous: at the one hand it is very numbing and automatic work, on the other hand it needs quite some concentration while doing it, and to think about what one is doing, what the material is about. In other words, the almost meditative action of copying generates imagination and ideas and improves, knowledge and perhaps an understanding of others and other things through informally -because while doing the job- communicating the stories

      behind the material. The ima

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