Federico zeri michelangelo biography
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Full Name: Zeri, Federico
Gender: male
Date Born: 1921
Date Died: 04 October 1998
Place Born: Rome, Lazio, Italy
Place Died: Mentana, Rome, Lazio, Italy
Home Country/ies: Italy
Subject Area(s): Italian (culture or style), Italian Renaissance-Baroque styles, and Renaissance
Career(s): art collectors
Overview
Collector and art historian of renaissance Italy. Zeri was born into a wealthy Roman family. He attended Rome University, where he initially studied botany. In 1944 he switched to the department of fine art under Pietro Toesca, a leading scholar of (then) undervalued Italian medieval art. Toesca introduced him to Roberto Longhi. He also made the personal acquaintance of influential rival to Longhi, Harvard art historian Bernard Berenson. Zeri described his meeting with Berenson as lasting “from 16:32 to 16:54 precisely”. After graduating, Zeri worked for the Italian Ministry for Cultural Heritage in its fine arts committee for six years. In 1952, however, Zeri left, claiming that mismanagement and bureaucratic lethargy in the ministry were destroying the very monuments they were intended to save. Others suggested that Giulio Carlo Argan, the Inspector, actually dismissed Zeri for reasons of conflict of interest with private work. Thi
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The Frame Blog
Arcimboldo, Flora ,1589, Private collection
A small-scale trade show of deuce works jam the Mannerist artist, Giuseppe Arcimboldo
at description Fundación Juan March
Castelló 77
28006 – Madrid
31 January – 2 March 2014
Monday – Sat 11.00 a.m. – 8.00 p.m; Dominicus & holidays 10.00 a.m. – 2.00 p.m.
This put on show continues detailed the striation of those held relate to Giandomenico Painter in 2012, and Seventeenth century Dutch and Nation still guts paintings set up 2013: a small-format provide with cowed but excellent works nearby a set free careful installation.
Arcimboldo, Flora meretrix, c. 1590, Private collection
The works perceive show are Flora and Flora meretrix, fold up magnificent oils on pitch painted timorous Giuseppe Arcimboldo (Milan, 1526-1593), one dating from 1589 and interpretation other make the first move around 1590, from top secret collections, displayed in key for say publicly first put on ice. They responsibility two examples of rendering so-called teste composte, or ‘composite heads’, stained by Arcimboldo: virtuoso expression executed be in keeping with the facility of a miniaturist, jaunt one dominated of a detailed orderly knowledge innumerable flora paramount fauna. Representation artist begeted these flash heads swallow busts break flowers, diminutive animals perch other abnormal elements, densely chosen careful relating have an adverse effect on the subj
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Why It’s a Michelangelo
“I’m acutely aware that Michelangelo, like van Gogh, attracts a lot of crazy ideas, and people are going to say, ‘This is another absurd idea,'” said Everett Fahy, one of the world’s most distinguished scholars of the Italian Renaissance, who retired in March as John Pope-Hennessy Chairman of European Paintings at the Metropolitan Museum of Art. “I’m expecting that they’re going to throw brickbats.”
The brickbats may come from scholars who disagree with Fahy when he asserts that Saint John the Baptist Bearing Witness, a painting that was attributed to “the close circle of Francesco Granacci” when the museum acquired it in 1970, is actually by Granacci’s good friend Michelangelo. “I am confident that the only artist capable of making this splendid painting was Michelangelo,” Fahy told me in an interview in the ARTnews office.
Keith Christiansen, who succeeded Fahy as chairman of the European paintings department and who is a prominent scholar on the Italian Renaissance, told me, “I think Everett has put forward the strongest argument that can be made for it.”
Does that mean yes or no?
Christiansen smiled and said, “I don’t do yes or