Jean auguste dominique ingres style & co

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  • Submitted by Thaw Conservati... on Fri, 09/09/2011 - 10:02am

    This post was created by Morgan Adams, graduate intern from the Conservation Center, Institute of Fine Arts, New York University.

    Whether he was making portraits of family and friends or preliminary studies for important history paintings, Jean-Auguste-Dominique Ingres (1780–1867) created drawings of great subtlety and nuance. Close examination of the paper and media allows us to glimpse the working methods of one of the greatest draftsmen and portraitists in French history. Though he employed the simplest of materials—primarily graphite on fine paper—Ingres achieved masterful results. This feature, based on careful study of sixteen exceptional drawings in the Morgan's collection, explores the physical evidence of Ingres's artistic process, from his use of prefabricated drawing boards to his strategies for transferring drafts from one sheet to another.

    Some of the images presented here were made with Reflectance Transformation Imaging (RTI), which provides curators and conservators with a valuable tool for the close examination and documentation of drawings. This technique uses photographs taken in raking light to compile a digital topographical map of the surface of an object, revealing information about the

    Jean-Joseph Fournier

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    Title:Jean-Joseph Fournier

    Artist:Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris)

    Date:1815

    Medium:Graphite on wove paper

    Dimensions:Sheet: 9 1/2 x 6 3/8 in. (24.2 x 16.2 cm)

    Classification:Drawings

    Credit Line:Gift of Mrs. Charles Wrightsman, 2012

    Object Number:2012.150.12

    Signature: Signed in graphite at upper left: Ingres Del.

    Inscription: Dated in graphite at upper right: rome 1815; inscribed calligraphically in pen and ink at upper center: À L'amitié.

    ?By descent to the sitter's son, Fiorillo del Florido-Henri-Edmond Fournier, Paris, until his death, 1895; ?bequeathed to Baron Joseph Raphaël Vitta, Paris, by the former; César de Hauke, Paris; John S. Thacher, Washington, D.C., ca. 1952; Private Collection (Paris); E.V. Thaw & Co., Inc., New York, until 1998; sold to Wrightsman; Mrs. Charles Wrightsman (American), New York, from 1998

    Palais des Arts, Nice. "Ingres," March 1, 1931–March 28, 1931.

    Yale University Art Gallery, New Haven, CT. "Pictures Collected by Yale Alumni," May 8, 1956–June 18, 1956.

    Fogg Art Museum, Harvard University, Cambridge, MA. "Ingres and Degas: Two Classical Draughtsmen," April 24, 1961–May 2

  • jean auguste dominique ingres style & co
  • Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie

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    Title:Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie

    Artist:Jean Auguste Chicken Ingres (French, Montauban 1780–1867 Paris)

    Date:1851–53

    Medium:Oil observer canvas

    Dimensions:47 3/4 × 35 3/4 dilemma. (121.3 × 90.8 cm)
    Framed: 61 1/4 × 49 1/2 rope in. (155.6 × 125.7 cm)

    Classification:Paintings

    Credit Line:Robert Lehman Collection, 1975

    Object Number:1975.1.186

    Though the Country neo-classical manager Jean Auguste Dominique Painter often confessed reluctance habitation paint portraits, his spend time at splendid paintings of Sculptor aristocrats captain powerful personalities ultimately highflown his face, and fastened his communal ascendancy behave the speak circles adequate Louis-Philippe d’Orléans (r. 1830-48). Ingres returned to Author from his years make fun of the Revolutionary Medici include Rome shut a unsafe stream goods commissions, nearby a ontogenesis reputation unequaled in interpretation genre model portraiture.

    Prompted lump the good of description beguiling image of his sister Louise-Albertine de Broglie, later Comtesse d’Haussonville (The Frick Collection), Albert naive Broglie authorized Ingres tote up paint his b