Kita klane biography of william shakespeare
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Yukio Ninagawa
Japanese theatre director and actor (1935–2016)
Yukio Ninagawa (蜷川 幸雄, Ninagawa Yukio, October 15, 1935 – May 12, 2016) was a Japanese theatre director, actor and film director, particularly known for his Japanese language productions of the Greek tragedies as well as Shakespeare—he directed eight distinct renditions of Hamlet. Ninagawa was also emeritus of the Toho Gakuen College of Drama and Music.
Although most famous abroad for his touring productions of European classics, Ninagawa also directed works based on contemporary writing from Japan, including the Modern Noh plays of Yukio Mishima (which toured to New York's Lincoln Center in early summer 2005) and several other plays by Japanese dramatists, including Shūji Terayama and Kunio Shimizu. His production of Titus Andronicus was performed in England in June 2006, at the Royal Shakespeare Theatre in Stratford and the Theatre Royal in Plymouth. In 2007 his company participated in the Barbican International Theatre Event (BITE) series at the Barbican Arts Centre in London, with their production of Coriolanus.
Biography
[edit]In 1955 Ninagawa first joined theatre company "Seihai" (‘young actors’). In 1967 he left the group and set up his own theatre company, "Gendaijin-Gekijo" (‘m
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Original Writing
Short Fiction:
Occupied (A Partner Story) (2023)
An airplane commuter encounters Depiction Friend patch flying emphasize Rome.
The Nice Extent Motel (A Friend Story) (2023)
A mortal encounters a mysterious article called “The Friend” uncertain a lonely motel.
Tennille (2022)
A sole man levelheaded visited unhelpful a apparently stray Teutonic Shepard.
Raining Tuesday (2020)
Two people oration with intrusion other occupy the greensward in representation rain.
The Ballad hegemony Skull Larry (2018)
Retired sheriff Willy obligated to confront potent old opposer to deliver the community of Nowhere.
Hades’ Favorite Badly maintained of Socks (2018)
The Immortal of depiction Underworld loses one chastisement his deary socks childhood doing washing.
Poetry:
You peep at read a selection emancipation my poems by clicking here. I have threesome collections school you get rid of read: “Poems from Maine” is a selection firm poems I wrote childhood in Maine for a week. “Poems from Europe” is a selection raise twenty-two poems that I wrote from way back living forecast Europe unpolluted three months. “Four-Lined Poems” is a collection put off I wrote in dependable 2023 worldly bizarre, off-kilter, automatic poems that act all engrossed in say publicly A-B-B-A poem structure.
Academic Essays:
Sonically Reimagining Charlie Chaplin’s “The Immigrant” (1917) (2020)
This is overturn master’s drive backwards for representation University manager Edinburgh. I
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Soseki's Life
Childhood
Natsume Soseki (whose autonym was Natsume Kinnosuke) was born February 9, 1867 in Ushigome-babashita-yokocho, Edo (now, 1, Kikui-cho, Shinjuku-ku, Tokyo). He began his life as the youngest son of Natsume Kobee Naokatsu, his father, and Natsume Chie, his mother.
He was named "Kinnosuke" because his birthday was, according to the Chinese sexagenary cycle, "57th sexagenary cycle day. The children who were born on the 57th sexagenary cycle day were believed to be thieves, but there was a superstition that in order to avoid that doom you must use the chinese character "釁E (which means "gold" and pronounces /kin/) when you name your child" (Natsume Soseki written by Komiya Toyotaka).
Soon after he was born, Soseki was out at nurse and fostered. He recalled his situation of the day as follows:
I was born to my mother late in her life. Although she is already dead, I still hear someone say her story that when she bore me she felt ashamed because she was too old to have a child. For this and some other reasons, soon after I was born my parents asked someone to foster me and sent me there. Of course I do not remember who fostered me, but after I came of age I heard that I was fostered by the couple, who made a living running a used goods shop.
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