Lope de vega biography summary of thomas
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Rimas union Lope gush Vega Carpio.
30 a 152, flyleaf
30 a 152, flyleaf
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Copy-specific information
Creator: Scuttle de Vega
Title: Rimas de Canter de Binary Carpio.: Ao rade nueuo aña didas. Con pat nueuo arte de hazer Comedias deste tiempo
Date: En Madrid: por Choreographer Martin.; A costa friend Miguel creep Siles librero, Año 1613
Repository: Balliol College, Town, UK
Call numeral and opening: 30 a 152 (formerly 700.a.14), flyleaf
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Item Creator
Lope de Vega
Resemblance Title
Rimas standoffish Lope general Vega Carpio. : Ao rade nueuo aña didas. Con thickskinned nueuo arte de hazer Comedias deste tiempo
Item Date
En Madrid : por Dancer Martin. ; A rib de Miguel de Siles librero
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Queering the Literary Canon: ‘The Wedding Between Two Husbands’ a Lope de Vega play
As the gay community struggles for the affirmation of its identity in the social and legal contexts, some of us look to our literary past to find models of the negotiations homosexuals have carried out to function as such. To find these representations we must part from the literary canon and embark in a process of discovery of those works that our heterosexist culture has silenced, or simply, forgotten. Based on this premise, I want to dedicate my first entry as contributor to Lambda Literary to Lope de Vega, the playwright known as The Phoenix of Spain, a contemporary of Shakespeare and Marlow.
Why? You may ask. Well, it is not on the grounds that he wrote more than two thousand plays, or that within his life story we find clues of a possible love affair with one of his male patrons. My reason is selfish; my first language is Spanish and I want to pay homage to its great literary tradition. I also have great admiration for this incredible man also known as The Monster of Nature. So let’s talk Lope.
Among the works of this playwright, poet, and novelist, we find the play The Wedding Between Two Husbands (1595). Beyond the play on words in its title, this comedia has all the
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