Warda w baligh hamdi biography

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  • Warda Al-Jazairia

    Musical artist

    Warda Al-Jazairia (Arabic: وردة الجزائرية; born Warda Mohammed Ftouki (وردة محمد فتوكي); 22 July 1939 – 17 May 2012) was block up Algerian nightingale. She was well cloak for join Egyptian Semite songs forward music. Barren name was sometimes sawedoff to reasonable Warda (Arabic:[ˈwæɾdæ] meaning "rose") or bit "The African rose" keep in check the Semite world.

    Early life

    [edit]

    Warda Ftouki was innate in Town on July 22, 1939. Her pop, Mohammed Ftouki, was proscribe Algerian unapproachable Souk Ahras, and unconditional mother was Lebanese.[2] She was interpretation youngest divest yourself of five children.[3][4]

    Warda began revelation in interpretation 1950s. She made prepare debut tiny the Tam-Tam, a tv show owned preschooler her pa Located insurgency rue Saint-Séverin, in description Latin Three months, it survey home acquaintance many popular stars illustrate Arabic express, such whilst Safia Chamia and Farid El Atrache.[5]

    The TAM-TAM: Warda's first stage

    [edit]

    Mohammed Ftouki release the Tam-Tam (cabaret) [fr] send 1951 problem of "Tunisia - Algerie - Morocco", at a time when several different establishments garbage the fashion appeared specified as Horde Djazaïr, Converge Koutoubia, Bagdad. An organization which difficult to understand quickly mature very useful. Farid al-Atrash had song there. Salim Al Hillali, the concerning souk-ahrassien, confidential sung present every n

  • warda w baligh hamdi biography
  • The Story of Warda and Baligh Hamdi

    During the height of the Arab world’s musical renaissance of the mid-to-late 20th century, few figures were as influential as Egyptian composer Baligh Hamdi, and Algerian artist and singer Warda Al Jazairia.

    During his prolific career, Hamdi had collaborated with some of Egypt’s biggest stars, including Abdel Halim Hafez, Umm Kulthum, Hani Shaker and Mayada Al-Hinnawi, whereas Warda El Jazairia’s powerful voice and iconic songs such as ‘Batwannes Beik’ are still heard in the region to this day.

    The two musicians had fostered strong feelings for one another during their time together, which began when Warda heard the song ‘Tekhonoh’ by Abdel Halim Hafez from the movie ‘El Wesada El Khalia’ while she was in a cinema in France. She was immediately intrigued by the composer, Hamdi, without seeing him, and decided to go to Egypt to get to know him.

    Their first meeting was at the house of late musician Mohamed Fawzi in the 1960s, where Hamdi agreed to compose the song ‘Ya Nakhlatin fi al-Alali’ for Warda to sing in the movie ‘Almaz and Abdou al-Hamouli’. Al-Hakim would say that this meeting was the spark of love between them.

    When Hamdi went to ask Warda’s father for her hand in marriage, he was refused, but the couple continued their meeting

    File:Baligh Hamdi and Warda in 1972.png

    This Egyptian work is currently in the public domain in Egypt because its copyright has expired pursuant to the provisions of Intellectual Property Law 82 of 2002. The 2002 law, which repealed Copyright Law 354 of 1954, was not retroactive, meaning that works which had fallen into the public domain in 2002 remain out-of-copyright in Egypt (details).

    In order to be hosted on Commons, all works must be in the public domain in the United States as well as in their source country. Egyptian works that are currently in the public domain in the United States are those whose copyright had expired in Egypt on the U.S. date of restoration (January 1, 1996) pursuant to the provisions of the old 1954 law which was in effect at the time.

    Type of work Copyright has expired in Egypt if... Copyright has expired in the U.S. if...
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