Busby berkeley gold diggers of 1935
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Gold Diggers of 1933
1933 film by Mervyn LeRoy, Busby Berkeley
Gold Diggers of 1933 is an American pre-Codemusical film directed by Mervyn LeRoy with songs by Harry Warren (music) and Al Dubin (lyrics). The film's numbers were staged and choreographed by Busby Berkeley. It starred Warren William, Joan Blondell, Aline MacMahon, Ruby Keeler, and Dick Powell. It featured appearances by Guy Kibbee, Ned Sparks and Ginger Rogers.
The story is based on the play The Gold Diggers by Avery Hopwood, which had its Broadway run for 717 performances in 1919 and 1920.[5] The play was adapted into a silent film in 1923 by David Belasco, the producer of the Broadway play, as The Gold Diggers, starring Hope Hampton and Wyndham Standing, and again as a talkie in 1929, directed by Roy Del Ruth. That film, Gold Diggers of Broadway, which starred Nancy Welford and Conway Tearle, was one of the biggest box-office hits of that year.
Gold Diggers of 1933 was one of the top-grossing films of 1933.[6] This version of Hopwood's play was written by James Seymour and Erwin S. Gelsey, with additional dialogue by David Boehm and Ben Markson.
In 2003, Gold Diggers of 1933 was selected for preservation in the United States National Film Registry by the Library of Con
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Synopsis
AT LAST!..IT'S HERE! THE SHOW YOU'VE WAITED TWO YEARS TO SEE!
Romance strikes when a vacationing millionairess and her daughter and son spend their vacation at a posh New England resort.
Popular reviews
MoreBusby Berkeley’s “Gold Diggers of 1935” is less a hit parade, than it is a parade of classic Hollywood’s best comedic character actors.
Dick Powell, still in his boy ingenue phase, barely registers as the lead of the film. He dashes in only in brief spurts; to flash a smile, and contribute a verse for the grand finale number.
Most of “1935,” belongs to the bit players. Even the legendary Adophe Menjou is assigned to mere supporting gag status, as a theatrical director with overdue bills from before the fall of the Russian Empire.
Without the commanding presence of any leading stars, “Gold Diggers” has a more frenetic energy than many early backstage musicals. Most entries in the genre follow…
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I wish Busby Berkeley had been freed from the constraints of like linear formulaic studio films and been allowed to make feature length pictures of just non sequiter music numbers that increase in outlandishness and fever dream like intensity
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I know I'm supposed to be
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